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X-ORIGINAL-URL:https://www.daytonartinstitute.org/
BEGIN:VEVENT
UID:MEC-adfaeaa5830c0102d7c56e8db30edf3b@daytonartinstitute.org
DTSTART:20260718T000000Z
DTEND:20260719T000000Z
DTSTAMP:20260108T000000Z
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CREATED:20260108
LAST-MODIFIED:20260108
SUMMARY:Getting Technical: Alternative Photographic Processes
DESCRIPTION:July 18–October 25, 2026, Gallery 119\n2026 FotoFocus Biennial exhibition\nPhotography is a chemical process, and this exhibition examines ways artists have used historical, non-traditional or experimental processes to make unusual and strange photographs—often through adjustments to chemistry, through darkroom manipulation and through hand-worked compositions. Ideas vary on what exactly is an alternative process, and this exhibition will help viewers to develop a working understanding of what we can include.\nPhotography is a medium marked by trial and error, experimentation and innovation. In its relatively short history, dozens upon dozens of processes, techniques and technological advancements have been driven by creative minds and out-of-the-box thinkers. Whether creating new camera bodies, modifying darkroom chemistry or reworking the print surface by hand, photographers find countless ways to make the medium their own. This exhibition features numerous photographic formats and processes: from early processes like wet-plate collodion, to lensless ones like chemigram, to experimental processes like solarization.\nSupport for this 2026 FotoFocus Biennial exhibition was provided in part by FotoFocus.\nPlan your visit to see these and other incredible works!\nFeatured Image: Jon Verney, Untitled (Primavera) (detail), 2019, archival pigment print. Private Collection\n
URL:https://www.daytonartinstitute.org/events/getting-technical/
ORGANIZER;CN=:MAILTO:
CATEGORIES:Focus Exhibition
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