THE
QUEST FOR IMMORTALITY
LECTURE SERIES
Fees:
Free for museum members and students with a valid student ID,
$5 for non-members.
Secrets of the Pyramids and
Mummies at Bahariya
Speaker: Dr. Zahi Hawass, Secretary General of the Supreme Council
of Antiquities
Wednesday,
August 31, 7:00 p.m. SOLD OUT
Thursday, September 1, 7:00 p.m. SOLD
OUT
The
world's leading Egyptologist, Dr. Zahi Hawass is Secretary General
of the Supreme Council of Antiquities in Cairo, Egypt and the
Director of Excavations at the ancient archeological sites of
Giza and Bahariya Oasis. Hawass is credited with major discoveries
such as the unusual double statue of Ramsses II at Giza and the
tombs of the Giza pyramid builders. In 1999, Hawass led
an excavation and preservation project at Egypt’s Bahariya
Oasis that discovered more than 200 Greco-Roman mummies, many
of them lavishly gilded. This ancient cemetery, now called
the Valley of the Golden Mummies, may hold hundreds more mummies
and is considered one of the most important finds in Egypt since
the discovery of Tutankhamun’s tomb. Hawass will discuss
these phenomenal discoveries and their significance.
Thursday, September
8, 7:30 p.m.
The Quest for Immortality:
An Exploration of New Kingdom After-Life Beliefs
Speaker: Dr. Betsy Bryan, Chair of the Johns Hopkins
University Department of Near Eastern Studies, guest curator of
The Quest for Immortality: Treasures of Ancient Egypt
The Quest for Immortality is an exhibition
designed to illustrate ancient Egyptian ideas about the afterlife.
A centerpiece of the exhibition is the facsimile of the burial
chamber of King Thutmose III (c. 1479-1425 BCE) on the walls of
which is written and painted the book that described the funerary
beliefs of the time – the Amduat. It tells the story
of the sun god’s triumph over death and his achievement
of immortality for all those who followed him. The objects
in the exhibition were selected from the great museums of Egypt
for their inherent beauty as well as to explain and represent
the images and concepts of the Amduat. This lecture will
introduce the exhibition and the Egyptian idea of the afterlife
in the New Kingdom (c. 1550-1100 BCE).
Sunday,
October 23, 4:00 p.m.
The Magic of
Ancient Egyptian Art
Speaker: Dr. Robert Ritner, Associate professor of Egyptology,
Oriental Institute, University of Chicago.
Dismissed by the Greeks and even some modern scholars as primitive,
ancient Egyptian art is in fact a complex means of communication.
Ancient Egyptian art lacks key elements associated with
advanced painting and sculpture. Its figures take on impossible
poses and the art lacks perspective. But it is these elements
that reveal the magic of ancient Egyptian art. Ancient Egyptian
art is a whole new way of seeing the world and Dr. Rittner will
explain how viewers can “read” the magic of these
ancient artworks.
Sunday, November 6,
4:00 pm
Egyptian Mummies
in Fact and Fantasy
Speaker: Carter
Lupton, Curator of Ancient History, Milwaukee Public
Museum
Mummies are the tangible remains of the ancient Egyptians’
quest for immortality. In one form or another we come across
mummies, from art museums to drive–in movies and everywhere
in between. Mummies had particular contexts in ancient Egypt,
altered contexts throughout history in academic research and museum
interpretations, and still other contexts in the modern folklore
which has grown up through literature, film and popular culture.
Whether perceived as artistic or ghoulish, historic or scientific,
comical or frightening, mummies are understood and misunderstood
on many levels. This talk will examine the many images of
mummies, from Edgar Allan Poe to Gary Larson’s Far Side,
from Howard Carter and King Tut to Boris Karloff and Brendan Fraser,
from Herodotus in 450 B.C. to 21st century state of the art research.
This series has
been made possible with funding from the Ohio Humanities Council,
a state affiliate of the National Endowment for the Humanities,
and the Ohio Arts Council with additional support from Judy
Wyatt and the Docent Organization of The Dayton Art Institute.
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