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On view through January 30, 2005 THE DAYTON ART INSTITUTE PRESENTS EXHIBITION ON REMBRANDT’S PALETTE REMBRANDT’S PALETTE: Pigments from the Seventeenth to the Twenty-first Century uses Rembrandt’s palette as a starting point to illustrate the history, method of manufacture, and evolution of artists’ pigments, revealing the dependence artists have on the technology and available materials of their time. A recreation of Rembrandt’s palette will be exhibited with samples of the colors available in his time. Each of the paints was hand-ground using pigment and linseed oil in the same method employed by Rembrandt’s studio. Specific pigments found in Rembrandt’s paintings have been identified by technical analysis conducted in museums worldwide, and scholars have made extensive study of these pigments. This precise understanding of pigments has been critical in authenticating a number of Rembrandt’s paintings.
The use of many seventeenth-century pigments was discontinued as advances in chemistry led to less costly and more stable pigments. Today, modern materials have replaced almost all of the pigments used by Rembrandt. Many of these replacement paints have retained the traditional pigment names such as Naples yellow, carmine, Cassel earth and vermilion. Related Programs Michael Skalka, conservation administrator from the National Gallery of Art, will present a lecture on Rembrandt’s Palette at 2:00 p.m. on Sunday, November 7 in The Dayton Art Institute’s NCR Renaissance Auditorium. The lecture is free for museum members and students with a valid ID. Non-members will be charged $15, which includes admission to the special exhibition, RAU COLLECTION: European Masterpieces. REMBRANDT’S PALETTE: Pigments from the Seventeenth to the Admission: Free
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