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ABOUT THE EXPERIENCENTER In addition to being a self-contained gallery space, the Experiencenter encourages visitors to engage in active participation at hands-on stations located throughout the museum and offers an opportunity for families to explore the museum and its collections together, enhancing the visitor’s learning and social experience. Located in the museum’s lower rotunda, the Experiencenter space consists of nearly 2,000 square feet with a studio classroom for workshops and participatory activities. May 10, 2008 – April, 2009
Experience a new approach to an exhibition by looking through the eyes of young curators. KIDS AS CURATORS, developed by 98 fifth and sixth grade students from four Dayton area schools (Belle Haven Pre K-8 School, Horace Mann Elementary, Trotwood-Madison Middle School, and Holy Angels School), is the result of a museum-school collaboration.
KIDS AS CURATORS is sponsored by The Martha Holden Jennings Foundation, Pamela and George Houk, and the Iddings Foundation.
September 23, 2007 – Fall 2008 Meet the RomansGet a glimpse into life in ancient Rome with Meet the Romans, the Experiencenter’s newest exhibition. The impact that Roman life and culture had on subsequent generations is evident in almost everything that surrounds us from the alphabet we use to the buildings we live in. Meet the Romans transports children and their families to ancient Rome with the help of two fictitious characters, Marcus and Julia. Represented by cartoon-like graphic figures, they point out examples of Roman art from the museum’s collection, as well as activities and important facts. Giving visitors a realistic impression of Roman life, Kaethi Seidl, the Yeck Visiting Artist, is at work in the space at specific times, demonstrating the Roman art of mosaic floor design. Visitors are invited to decorate a wall in the same space with their own mosaic designs using magnets. A number of hands on activities will teach children about the Roman alphabet, the Latin language, and Roman numerals. Young children can make-up stories about ancient Rome using hand puppets and a floor plan of a Roman villa will allow children to set up the various rooms using miniature representations of the walls, furniture, and people. Learn about the Tree of Paradise, the featured mosaic in THE ROMAN WORLD: Religions and Everyday Life, and its meaning in several religions. The adjoining activity encourages visitors to add elements to a large tree that describe in words and pictures their ideas about paradise. Meet the Romans promises to be an exciting exhibition for all ages. It is free of charge and open during regular museum hours. Sponsors:
November 1, 2008 Reinstallation in the Experiencenter SHIMMERING MADNESS
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Sandy Skoglund, American (born 1946). SHIMMERING MADNESS, 1998 Installation: Jelly beans, wood, plastic, metal, motors Museum purchase, 2001.34 c 1998 Sandy Skoglund |
Created by New York-based artist/photographer Sandy Skoglund, Shimmering Madness is a breathtaking installation consisting of a brightly colored, enameled jellybean floor buttressed against two walls that have been densely covered with small kinetic, hand-painted butterflies. In the midst of this fantastic room are two jellybean-covered figures assembled in dance-like poses with their heads spun backward.
Skoglund moved to New York in 1972, where she started working as a
conceptual artist. In the late 1970s, she began to teach herself
photography to fulfill her desire to document her work. This developing
interest in photographic technique later became fused with her interest in
popular culture and commercial picture making strategies, resulting in
what is referred to as a "fabricated image," or an image that illustrates
an artificial construction of reality and not reality itself.
Because Skoglund's goal is to "be in contact with reality and at the same
time alter it," her interpretation of the "image" in both her installations
and the photographs of her installations often experientially transports the viewer into the realm of the surreal. By incorporating multiples of
everyday objects, such as food, into her installations (as seen here in the
form of thousands of jellybeans), Skoglund redefines the concept of what is precious and beautiful in art.
"I like to work with food because it is a familiar material," Skoglund
explains. "The value of art, the educational value of art, the sort of life
affirming value of art has to do with bringing our awareness of the
everyday miracle that's around us, that everything is, in its own way, if
you look at it, quite strange and quite marvelous. For me, food is an icon of familiarity, which is so natural to us on a daily basis that it's almost invisible." Skoglund has achieved international recognition as a photographer, and her installations have been commissioned and acquired by museums and universities around the world.