The museum’s holdings of eighteenth-century European art are small in number but diverse in subject and style. The dynamic compositions and dramatic subjects found in seventeenth-century baroque art remained popular, visible in Sebastiano Ricci’s Rape of Lucretia and an Austrian polychromed wood sculpture of Saint Theresa of Avila. Jean Baptiste Oudry’s large still life demonstrates the taste for grand-scale paintings and the upper class taste for luxurious interior decorations. Francesco Guardi’s view of the Piazza San Marco captures the magical Venetian landmark and was one of many he did for an enormous number of European noblemen who visited the Italian city. Sir Joshua Reynolds’ life-sized portrait of Henry, Eighth Lord Arundell of Wardour typifies both the grand style of eighteenth-century English portraiture and the elevated social and economic status of the English nobility.